Border Problems – or, What a Man Will Go Through to Film Gerry Lopez
Editor's note: Fitz Cahall joins us today to share another behind-the-scenes story from the making of Tracing the Edge.
Winter was fickle last year. Bryan and I were set to work with surfing legend Gerry Lopez. I’d already spent a day filming with him in Bend. He’d shown me every powder stash available on Mount Bachelor, his local stomping ground. We shredded six inches of light snow. I broke a helmet cam (that’s cool). We aggravated the marketing department (that was cooler). The ski patrol just shrugged off the marketing director’s radio calls (that was the best). Gerry introduced me to every liftie by name. The teenage rippers hucking rodeos asked his opinion on where to go based on the direction of the wind. An old retiree in a one piece stopped to share a joke. One thing was clear, Gerry was king. Mount Bachelor was the kingdom. If a run was great, he’d smile. If a run was littered with moguls, he’d smile and shrug, imparting some tidbit of wisdom. Like:
“At the end every season, I make sure that I buy the patrollers a keg of beer for the end-of-the-year party. They work hard. It’s a way of thanking them … (pause) … and, you know, when they, maybe, find me some place I shouldn’t be, it’s not a big deal.”
[Gerry Lopez, still hucking cliffs in his 60s. Photo: Fitz Cahall and Bryan Smith]
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