by Michael Kew
Patagonia Surf ambassador Trevor Gordon, 22, is not just a guy who, in the words of Dan Malloy, “surfs just like Curren.” Here we take a closer look at Trevor’s land-based talents.
Michael Kew: How would you describe your art?
Trevor Gordon: A bit folksy. Colorful, textured, simple. I try to paint or draw people in ordinary moments and natural situations, like a man sitting on a porch, playing guitar, or a lady stoking a campfire.
What's your process like when you create art? Do you ever sketch stuff and then make it, or do you work more spontaneously and build as you go? How does it happen for you?
I usually start painting spontaneously. Sometimes I’ll wake up in the night and have to start a painting so I don’t forget it by morning. Other times I will be listening to a song and something will pop into my head, and if I can, I will start painting something right then. More often than not, I’ll end up painting over the original idea, but it’s the initial moment of starting the painting that is hardest. My style is very quick — I can’t stand waiting for the paint to dry or washing the brushes, so I end up painting with my fingers on top of wet paint. I guess that can add to it, sometimes, but it can also screw it up.
Continue reading "Trevor Gordon’s Artful Life" »
by Dr. Tony Butt
“We still talk in terms of conquest. We still haven’t become mature enough to think of ourselves as only a tiny part of a vast and incredible universe. Man’s attitude toward nature is today critically important simply because we have now acquired a fateful power to alter and destroy Nature. But man is a part of nature, and his war against nature is inevitably a war against himself. Now, I truly believe, that we in this generation, must come to terms with nature, and I think we’re challenged as mankind has never been challenged before to prove our maturity and our mastery, not of nature, but of ourselves.”
– Rachel Carson (1907-1964)
Before Charles Darwin came along, it was ‘us’ and the ‘animals’. Now, over a century and a half later, most of us acknowledge that we are actually just another species of animal, with as much right to exist as chimpanzees, cats and dogs, mice and insects. The planet doesn’t just belong to us, it belongs to them as well.
[Above: The author dances with Nature. Photo: Tony Butt Collection]
Continue reading "Dancing with Nature" »
by Patagonia Surf Europe
Patagonia is proud to support another year of the Surfilm Festibal in Donostia - San Sebastián, Spain. This year is particularly special because the world’s first surf film festival celebrates its 10th anniversary.
Patagonia ambassador Keith Malloy will be on hand to present Come Hell or High Water and participate in a really unique workshop. Extended Vision: Moving Image Workshops starts on June 6th and will allow up-and-comers to work hand in hand with some of the sport’s best filmmakers.
Continue reading "Surfilm Festibal 10 Kicks Off May 31 in San Sebastián, Spain" »
by Michael Kew
From “Coral Refuge, Ocean Deep,” Chapter 8
This atoll is on the way to nowhere except the crossroads of romance and adventure. Après-surf and brunch, Yvon and I board the skiff and buzz into close range; Francois kills the motor. Adrift within the lagoon’s turquoise comfort, far from the roily pass and its fish traps, a broad, sandy flat is declared quintessential bonefish domain. Nearby, a few decayed fishing shacks face dense coconut palms—Polynesia’s most important tree—hinting a wistful regard to overfishing and a once-seemingly endless bounty.
“Well, there’s no fish here compared to…I mean, you can go all day trolling out there and you don’t catch a fish sometimes,” Yvon says, absorbing the scene. “If you were at a place like Christmas Island or some of the less-inhabited places—or some places that haven’t been fished out—you can’t go a quarter-mile without hooking up with something. There’s still some pelagic fish here and stuff, but it’s pretty well fished-out, especially the closer you get to Tahiti.”
Exiting the skiff, we infiltrate with fly rods, cameras, and dim expectancy. Yvon wades and searches, casting over the sand and coral knobs.
[Above: Yvon Chouinard preps for a day of bonefishing. Photo: Michael Kew]
Continue reading "Isles of Idyll — An Excerpt from “Crossings”" »
by Devon Howard
The first time I entered the hallowed doors of my local surf shop – Mitch’s on La Jolla’s Pearl Street – it felt like a rite of passage.
As a 10-year-old grommet, I was in awe of all the cool surf and skate gear crammed on the store’s narrow, cluttered walls. I stood there, paralyzed, imagining what it would be like to ride one of the shiny new Puringtons, Bessells, Craigs or Staples surfboards lined up along the back room. I eventually gazed toward the glass counter, and drooled over all the Gullwing trucks, riser pads, O.J. wheels, Powell decks, stickers and grip tape that I would later nag my folks to buy me for upcoming birthdays.
[Devon Howard grabs an FCD Fish off the rack. Patagonia Cardiff, California. Photo: Jeff Johnson]
Continue reading "Patagonia Surf Stores - The Wave Riding Collective" »
by Emily Nuchols
Chances are if you’ve perused the Patagonia website or catalog, you’ve caught sight of a few of Ben Moon’s images. From surfing and climbing to capturing the music scene, the self-taught Moon took the photography scene by storm more than a decade ago.
Moon’s work will be featured this weekend at the 5Point Film Festival in Carbondale, Colorado. I caught up with Moon in between travels at his home-base in Portland, Oregon and asked him a few questions.
[Above: Portrait of Ben Moon in SE Portland, Oregon. Photo: Ryan McDonald]
Emily: What did you have for breakfast this morning?
Ben: I love to eat, so breakfast is a great excuse to get rolling on that early in the day. While I’m home, I usually make a green juice first thing in the morning with kale, an apple, a lemon, and fresh ginger. I’m not into big meals because I can’t be productive during a food coma, so a “second” breakfast follows soon after, along with yerba maté to keep the day moving.
Continue reading "An Interview with Photographer Ben Moon" »
by Michael Kew
From “Coral Refuge, Ocean Deep,” Chapter 8
WOULD THEY DO IT IN PARIS?
It’s the second T-shirt I’ve seen today that poses this question, a lingering sting of animosity toward France’s three decades of nuclear testing in L’Archipel. France ignored a 1973 World Court request to stop the practice, sparking protest worldwide, including New Zealand’s delegation of a naval ship to the main atoll, and Peru’s severance of their French diplomatic relations.
Relentless global opposition to nuclear testing saw the French drilling bomb shafts beneath the lagoon in 1975. Rather than blasting motus in plain view, replete with ominous, “harmless” fallout, the endeavor cloaked the tests submarine.
[Above: Fletcher Chouinard on a virgin right-hander. Photo: Michael Kew]
Continue reading "Coral Refuge, Ocean Deep - An Excerpt from “Crossings”" »
by Greg and Donna Edwards
After the Australian release of Come Hell or High Water we received this heartfelt message from Coffs Harbour based parents Greg and Donna Edwards. Kyan, their 8 year old son has autism. After watching the film their lives were changed forever.
I would like to share our little breakthrough and in some small way, say thanks for making Come Hell or High Water film possible.
Come Hell or High Water has changed our lives.
Put simply, our 8 year-old son Kyan has Autism. We have had a very difficult time bringing him up and up until last week, we had given up on the idea that he would ever be comfortable at the beach. The bright sunlight, sand and wind create a ‘sensory overload’ for our little boy and most often he will scream and scream when we take him anywhere near the ocean. My wife and I both grew up surfing and we feel completely at home in the water. Some days, the two of us have wanted nothing more than to be able to take our kids down onto the sand and swim.
Continue reading "Changing Lives - Body Surfing with Autism, Come Hell or High Water " »